In the contemporary era, with the expansion of interdisciplinary studies and the advancement of text analysis methods, the importance of rereading foundational religious texts from new scientific perspectives, especially in the field of literature and rhetoric, has become an undeniable necessity. This research aims to explore the verbal miracle and artistic depth of verse 9 of Surah Al-Hijr (Inna nahnu nazalna al-dhikra wa inna lahu lahafizoon), as a divine sign of the preservation of the Qur’an, to illuminate the hidden layers of aesthetic beauty and the semantic impacts of this noble verse. The research methodology is descriptive-analytical with a critical and comparative approach, based on qualitative data analysis and utilizing authentic exegetical, rhetorical, and literary sources in Persian and Arabic. The key findings indicate that the repetition of the majestic pronoun "ana" alongside multiple emphases through negation and affirmation and the ordering of the basis (preference/precedence) not only underscores the certainty and inevitability of divine preservation but also creates an inner musicality and tonal harmony that showcases the apex of eloquence and artistic beauty of divine discourse, a matter that explains the Qur’anic challenge and its miraculous aspect across time and place. In the contemporary era, with the expansion of interdisciplinary studies and the advancement of text analysis methods, the importance of rereading foundational religious texts from modern scholarly perspectives, especially in the domains of literature and rhetoric, has become an undeniable necessity. This research aims to investigate the verbal miracle and artistic depth of verse 9 of Surah Al-Hijr